Atterbury & Company (Atterbury Glass Company)
Pittsburgh, Pennsylvania (c. 1859-1902)
This glass manufacturing firm began as Hale, Atterbury & Company; later (c.1861) re-organized as Atterbury, Reddick & Company; J.S. & T. B. Atterbury (1863); and by 1865 it was known as Atterbury & Company, with a slight name change to “Atterbury Glass Company” in 1896. The last mention of Atterbury appears in a 1902 city directory, so it is assumed that they shut down production sometime in the 1901-1902 time frame. Information is very sketchy on the later years of this company. (Timeline from info published in Glasshouses & Glass Manufacturers of the Pittsburgh Region 1795-1910 by Jay W. Hawkins, 2009). This firm was also known as the “White House Glass Works”, with conflicting reports as to the exact reason why: i.e. the factory building was painted white, or because they produced large quantities of white milkglass (“opal”) ware. It is likely that both reasons were correct.
Atterbury produced a huge variety of glassware, including fruit jars, and, especially throughout the latter years, covered dishes, tableware, novelty and pattern glass. Their fruit jars date from the 1860s, and are rare & very highly sought after . One example is embossed “ATTERBURY’S / PATENT / JUNE 30 1863” across the front.
Atterbury specialized in producing large quantities of opaque glass of many colors, including milk white (white milkglass or “opal”), opaque blue, opaque green, turquoise, lavender, yellow and other colors. Very popular among their pressed glass items are the two-part covered animal and other figural dishes. Atterbury-produced covered dish designs included a duck (the so-called “Atterbury Duck”, a deservedly well-celebrated design, heavily reproduced by Westmoreland Glass Company), a Hen-on-Nest candy dish, a rooster, swan, rabbit, chick & eggs, boar’s head, ribbed fox, hand and dove, 2 entertwined fishes, a cat, kittens, and others. Several sizes of the Hen-on-Nest dish were made by Atterbury. Most of them are found in white milkglass with red glass eyes, but other colors were also made. The Atterbury hen dishes were probably made from the 1880s up until their closure circa 1902. Similar hen dishes were made in later years including pieces by Fenton Glass.
Also very important was their line of elegant oil lamps (pressed and blown). Large quantities of milkglass compotes and “lacy edge” baskets were produced. Some of the lacy-edge bowls or baskets could be made to serve double-duty; they could be used “as-is” (with no cover) or as a base for a covered dish, for instance, the “2 entertwined fishes” dish.
(Another noted glass manufacturer in the Pittsburgh area was Challinor, Taylor & Company, a direct competitor of Atterbury, which also made a specialty of milkglass and slag glass compotes, hen-on-nest dishes and other EAPG — Early American Pattern Glass — tableware in various colors.)
Many of the tableware and novelty items produced by Atterbury were marked with patent dates on the base, but in general they are not marked with the firm name or initials.
Because I am interested in the lovely mugs they produced, I will devote most of this particular page to those pieces. Atterbury produced a line of mugs (some, if not most, intended as “children’s mugs”) in a wide variety of colors, including opaque, opalescent (translucent) and transparent colored glass.
One example shown here is the Eastlake pattern mug, sometimes called Robin or Bird & Wheat by present-day collectors. This example is in a semi-opaque pink glass. There are several very slightly different shades/intensities of this color, variously called pink alabaster, pink clambroth, or pink opalescent by collectors.
Other colors seen in the Eastlake mugs include medium blue, opaque blue, amethyst alabaster, opaque green, opaque raspberry, blue alabaster, opaque white, orange amber, olive amber, clear and blackglass. The original factory pattern name was indeed Eastlake, as shown by a listing in an early catalog dated 1881. Eastlake was produced in four different “regular” sizes, plus a heavier, somewhat differently styled compartmented “Shaving Mug” which is not footed. The interior of that type of mug has two sections, one shallow and the other deeper, separated by a vertical “wall” of glass. Illustrated is an example in white milkglass (opaque white or “opal”). In this piece, the white is an absolute “dead white” with not even a hint of translucency…… it is completely opaque! The unusual Victorian-style handle on these mugs is quite attractive with a hexagon-shaped cross-section. Other colors known in the Eastlake shaving mug version include amber, blue alabaster and pink alabaster. Probably other colors exist!
Other mugs produced by Atterbury include Medallion (also known as “Ceres“or “Cameo“) and Leaf. Three different styles of “Swan” mugs are believed to be Atterbury products, including Swan with Ring Handle, Swimming Swan Variant #1, and Swimming Swan #2). Several other mugs are also believed to have been made by Atterbury, (judging from the range of colors they have been reported in) but there is a lack of catalog listings or other 100% solid documentation to back up those attributions. This includes Crossed Cords & Prisms, Owl & Horseshoe, and Mephistopheles (the variant with an identical handle to the Ceres mugs). The Owl & Horseshoe mug has a handle virtually identical to the one on Eastlake.
The “Swan with Ring Handle” is also seen in several other forms besides mugs. Below, a double-ring handle pattern in what has been termed a “Mustard” (Alice Hulett Metz, Much More Early American Pattern Glass, 1965, page 86, catalogued as item #1028″ in clear glass), a sugar bowl, or a double-handled mug.
PAT’D APR 23, ’78
This marking is seen on the bottom of a variety of tableware items, all made by Atterbury & Company. The patent date (April 23, 1878), refers to a design (Design #10,643),which was awarded to Thomas B. Atterbury of Pittsburg(h). The patent was in effect for 3 and 1/2 years. Presumably, though it is impossible to be absolutely certain, most of these pieces with the ’78’ patent marking were likely made in the period of 1878 to 1882. The design features elements of a melon (canteloupe or muskmelon-type appearance) with convex “fluting” or “sections” and a netting background texture, often accompanied by a leaf or leaves motif. Sometimes the leaf itself is the central motif (as on the mug). This pattern has been described under a number of different names, including Melon (there is also an earlier Melon pattern with NO webbing, under a separate 1870 patent), Melon with Leaf, Melon with Leaf and Net, Leaf, Paneled Fern, and occasionally (incorrectly) Acanthus. The most common and recognized form is the “compote” or “butter dish” in the shape of a melon lying horizontally, with a smaller “melon” or fruit- shaped finial (handle) on the top. (This piece has been reproduced by L. E. Smith Glass Company, in several colors not seen in the originals. If I understand correctly, none of the repros have the 1878 patent marking on the bottom).
Other pieces that are occasionally encountered include the spooner, creamer, covered sugar bowl and mug. The mug has only a “leaf” design but without a background pattern of “netting” or “webbing” as seen on the other pieces. This leaf pattern mug is shown on page 26 of the Glass Collector’s Digest (April/May 1989 issue) in the article on Atterbury mugs written by G. Eason Eige. The “leaf dish” sometimes attributed to Hemingray might be related to this pattern, as the patent drawings do show a dish or shallow plate although the exact design is not the same.
The “Melon w/ leaf” pieces have been seen in clear, white milkglass (“opal’) and blue. The Leaf mugs have been seen in clear, white milkglass, amber and an odd mousy gray-brown, which is shown in the magazine article referenced above. Other colors (of the mugs) may exist, but all of the leaf mugs are hard to find.
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